| Charlotte Hallows |
|
On Mysticism and the Death of
Art
Mass produced images serve as indexes of public and private spectacle.
In the reproduction the aura of the original is transferred to the copy,
which assumes the phantasmatic power of a coveted fetish. This work explores
drawing as an expressive act and manual labour. Decorative motifs allude
to the mapping of imaginary territories through anthropological excess,
gender and Adolf Loos? inflammatory slogan ?Ornament is a
crime?.
Photography by Christian Capurro.
image from invite |
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